The VariCam 35/LT are exceptional tools for high-end filmmaking, commercials and episodic production as well as live 4K events. Variable frame rates are available from 1 to 120 fps in AVC-Intra 2K422 and from 120 to 240 fps in AVC-Intra 2K-LT. The feature-rich VariCams are ready to create emotion for your next project. The VariCam LT offers the same Super 35 sensor as the VariCam 35 but with a compact body weighing just six pounds. In order to achieve this function two dedicated analog circuits are implemented on every pixel of the imager of the VariCam LT for each native ISO before gain processing. The VariCam LT workflow is very similar to that of the VariCam 35. The frame rate is variable in-shot while recording. The super 35mm image sensor, which is the same imager as VariCam 35, features wide dynamic range, an expansive color gamut, and high sensitivity for 4K image acquisition. The VariCam LT has a compact and lightweight magnesium body and offers same picture quality specifications as the larger VariCam 35 cinema camera. Variable frame rates are available from 1 to 120 fps in AVC-Intra 2K422 and from 120 to 240 fps in AVC-Intra 2K-LT. It has dual native ISO settings of 800 and 5000. *2: ProRes is licensed from Apple Inc. Apple ProRes codec is from Atomos under license. The VariCam LT is equipped with the super 35mm single-chip MOS sensor developed especially for the VariCam 35. The Odyssey7Q and Odyssey7Q+ capture these specialize frame rates in 4K RAW and records them at standard playback frame rates so that they are ready for use with no post manipulation. User can do the IR shooting to record 4K images in dark unlit nightscapes. The keys and dials are laid out around the display for quick and accurate operation. VARICAM LT, 35, and HS Camera Control Panel SimulatorsVariCam Camera Simulator is the simulator program designed to support users to simulate the control using Control Panel for VariCam 35, VariCam 35 with Codex V-RAW Recorder, VariCam HS. Dual Recorder Drawing on the traditions of the original Varicam line, VariCam 35 and LT help its users create emotion with its amazing latitude, wide color gamut, and 4K resolution. Mounting holes are provided on both sides as well as on the handle for convenient mounting of accessories. The VariCam LT can output zero decimal frame rates from 2-60fps (2, 3, 4, 5…). The Cinema VariCam LT features outstanding image quality that allows you to achieve your "VISION". The EF mount*1 can be removed by an end user and replaced with a PL mount (optional). Proxy files can be wirelessly uploaded via FTP, which facilitates wireless color grading. The VariCam LT has a compact and lightweight magnesium body and offers same picture quality specifications as the larger VariCam 35 cinema camera. Panasonic VariCam LT with variable frame rates of up to 240 fps in HD. The file name and time code of each file will match exactly. The detachable structure allows the camera to be operated from a distance of up to 90 cm. When we run articles on the cameras of the Oscar nominees, or if we profile the cinematography behind a hit show, we’re mainly talking about Alexa and RED (with the exception of projects still shot on film like Westworld) . VariCam 35's Key Features: The VariCam line of cameras has been used on a wide variety of movies, commercials, and TV programs, and is renowned for its color reproduction, look, and for bringing progressive workflows to the modern production industry. With CINELIVE, capture the cinematic look of the VariCam’s Super 35mm sensor and rich, natural colors, while maintaining the full control and communication of a proper live production system. The sensor of the VariCam LT has two dedicated analog circuits that are implemented on every pixel. High-quality recording formats including AVC-Intra Class100 (recording at 1080/24p, 30p or 60p format with Variable Frame Rates (up to 240p), AVC-Intra Class200 (up to 30p/60i) and AVC-Intra Class4:4:4 (up to 30p), © 2011-2019 Cinema Shot. Normally noise is introduced in the gain process of rating ISO in digital cameras. The VariCam LT features a removable IR filter. Its size and design facilitate a wide array of shooting styles including comfortable ergonomic shoulder mounted operation The V-709 gamma setting provides a tone suitable for viewing on standard monitors while the BC-LOOK creates a look that mimics traditional TV broadcast images. It boasts high sensitivity, low noise, and wide dynamic range. This allows you the freedom to record footage with or without the IR cut filter in any lighting situation. Their next-generation modular two-piece design(35/HS) will deliver unprecedented flexibility, allowing you to move between the worlds of cinema, TV episodic, sports, documentary, and other content creation with extraordinary ease and efficiencies. In addition to the main codec recording the VariCam LT has the ability to record files to an SD memory card. T: 303.997.4420 Their next-generation modular two-piece design will deliver unprecedented flexibility, allowing you to move between the worlds of cinema, TV episodic, sports, documentary, and other content creation with extraordinary ease and efficiencies. Main and Proxy Recording Records simultaneous 4K/ 2K/Proxy, or UHD/HD/Proxy + Raw to Codex (option) We offer the complete line of Panasonic VariCam cameras for the broadcast and professional video marketplace. All Rights Reserved, 7344 S. Alton Way, Suite 8-D Even in dimly lit scenes, which are particularly important in movie production, the VariCam 35 provides low-noise images without any compromise in picture quality. Variable frame rates are available from 1 to 120 fps in AVC-Intra 2K422 and from 120 to 240 fps in AVC-Intra 2K-LT. Join the “REVOLUTION” and achieve your perfect “VISION”. Several assets set the VariCam 35/LT apart from other high-end cinematography cameras, including dual native ISOs of 800 and 5000, allowing DPs to realize incredible image quality in dramatically low light situations; the ability to record simultaneous video formats (4K + 2K + Proxy, or UHD + HD + Proxy); an optional high-speed 4K uncompressed RAW recorder (CODEX) that captures uncompressed 4K VariCam 35 RAW (V-RAW) at up to 120fps; internal AVC-Intra 4K / 2K / HD recording to 120fps; support for an ACES workflow for full fidelity mastering of original source material; and in-camera Color-Grading via CDLs / 3D LUTs. 12-bit requires a dual-link feed and is limited to the native frame rate of the current system frequency. The VariCam LT is now $9,995 USD. The advanced grading tools, in-camera dailies and proxy recording capabilities that are built The VariCam LT has a compact and lightweight magnesium body and offers same picture quality specifications Resolutions of 4K up to 50/60p, HD up to 200/240p and recording in different AVC and ProRes codecs depending on the frame rate chosen. The VariCam LT will also be available as a kit with monitor at $24,000. and support for AVC-Intra 4K and Apple ProRes*2 codecs. Using the AVC-Intra 4K codec, the VariCam LT can record 4K (4096 x 2160) or UHD (3840 x 2160) resolution. The VariCam LT has a regular BNC connector for the View Finder. “With its Super 35 sensor, the VariCam LT delivers a beautiful cinematic image. The Odyssey7Q+ will record the RAW signal as a RAID across two SSDs (odd frames on SSD1, even frames on SSD2, to be merged in post using the CD Clip Merge utility). The DC power and command control connectors for the Panasonic VF are also provided. This enables color tuning on set as well as in the field when using the camera control panel or 3rd party software. I think this goes a LONG way to putting the LT back into contention. The wide dynamic range assures accurate image rendering over the entire image area, from dark parts to highlights. For frequently used ND filters, the compact body houses a rotary filter system with four filters (0.6ND, 1.2ND, 1.8ND, CLEAR) for easy switching. The VariCam LT features an in-camera color grading function (3D LUT/CDL). 2-piece Modular Design (docks to AU-VREC1G recording module). Raw recording is currently supported on Odyssey 7Q and 7Q+ recorders, and is scheduled for support on the Atomos Shogun Inferno In December 2016. Emphasis is on developing an understanding of the camera sensor, internal recording options, … This allows for even greater versatility in lens selection when shooting with the VariCam LT. It can be used for menu operation or as a live/preview monitor. Feel free to Ask Me Anything on the VariCam LT as well as this excellent Instant Rebate offer. Using the 256 GByte expressP2 card, the camera can record approximately 90 minutes of 23.98p 4K video with AVC-Intra 4K422. Apple ProRes 4:4:4:4 and ProRes HQ Built-in The sensor's size delivers the classic cinematic depth of field as it is the same size as the film frame in motion picture cameras. This produces smooth, high-resolution images when recording fast-moving action scenes. Including, professional camcorders, 3D & 4K camcorders, Blu-ray recorders and precision HD / 4K studio monitors. One new feature that has been added to the VariCam LT is the EF lens*1 mount which offers a wide array of lens choices. This wide dynamic range assures accurate image rendering over the entire image, from dark areas to highlights. frame rates are available from 1 to 120 fps in AVC-Intra 2K422 and from 120 to 240 fps in AVC-Intra 2K-LT. VariCam HS helps its users capture action with its 2/3 3MOS and bayonet lens mount, Varicam, originally stylized as VariCam, is a brand name associated with specialized Panasonic video cameras that are mostly used to imitate the look and feel of motion picture cameras. The frame rate can be changed while recording. For 2K recording, the VariCam LT supports AVC-Intra 2K444/2K422/2K-LT. For HD recording, the VariCam LT supports AVC-Intra 444/422/100/LT and Apple ProRes 4444/HQ. The frame rate is … Native 4K/60p Shooting in-camera color grading, and a modular design. The 3.5" control panel can function as an LCD screen or be used to control the camera's functions. It supports recording using AVC-Intra, AVC-Intra 4K, and Apple ProRes codecs. Broadcast and Digital Cinema Equipment Sales, Serving the Moving Picture Industry Since 1992. Also, we can switch frame rates in-camera, with sermons using the 1080/59.94p format for a lifelike teaching experience, then an easy switch to 23.98p for music segments. The VariCam LT ships with a removable stainless steel EF mount, which you can swap out for a PL mount if you choose. For 2K recording, the VariCam LT supports AVC-Intra 2K444/2K422/2K-LT. For HD recording, the VariCam LT supports AVC-Intra 444/422/100/LT and Apple ProRes 4444/HQ. Panasonic offers two VariCams, one a 4K camera (VariCam 35) that incorporates a newly-developed super 35mm MOS image sensor; the second, a 2/3" camera (VariCam HS) that features high-speed 1080p image capture of up to 240fps to produce extraordinary high-definition imagery for the most demanding documentary, sports or SFX slow-motion applications. Variable frame rates are available from 1 to 120 fps in AVC-Intra 2K422 and from 120 to 240 fps in AVC-Intra 2K-LT. Please note that the PL mount is not included and must be sourced separately. Detachable Control Panel with Monitor This is achieved by cropping the image sensor recording area in order to achieve a faster scanning speed. In addition, each camera offers an in-camera color grading function Panasonic Cinema VariCam LT 4K S35 Digital Cinema Camera EF Mount, Li-ion Batteries 14.8V  6.6Ah   3 Stud Gold Mount  (4), Battery Charger   Four Position Fast Simultaneous Charger. “V-Log” is capable of creating the 14+ stops of dynamic range offered by the VariCam LT image sensor, greatly enhancing look creation capability. The use of DCF Technologies is under license from Multi-Format, Inc. This feature lets you record an ungraded 4K master with V-Log in the main expressP2 card recorder while simultaneously recording graded HD files on the SD memory card. Native ISOs of 800 and 5000 The LT is a smaller Varicam35 with the same sensor as its big brother. continuous 240fps recording, and also revolutionizes workflow with the addition of dual-codec recording, This is a significant reduction in price considering the camera was originally retailing for around $18,000 USD. VariCam LT's Key Features: The noise level at 5000 ISO is nearly identical to that seen at 800 ISO. Also, we can switch frame rates in-camera, with sermons using the 1080/59.94p format for a lifelike teaching experience, then an easy switch to 23.98p for music segments.” Beyond that frame rates vary based on codec, resolution, and sensor crop, but the camera maxes out at 240p in cropped 2K. 2/3-inch B4 bayonet mount Panasonic Production Monitors     Panasonic Pro Camcorders     0% / 2 Year Finance Option. For higher frame rates and in 4k to boot you are better off using a Sony FS700 with an external recorder like the Odyssey 7Q for a much lower price. You will also learn the shared and unique features for the VariCam 35, HS, and LT heads in terms of frame rates, and discuss how to quickly change between them. Dual Native ISO of 800/5000 When shooting in 2K (2048 x 1080) and HD (1920x1080) resolution, high-speed 240 fps recording can be used to produce an extreme slow-motion effect. Panasonic Varicam LT Now Below $10,000 – $6,500 Price Drop Explained cinema5D. Frequently used settings can be accessed directly. The frame rate can be changed while recording. “Dual Native ISO of 800/5000 The VariCam LT has two native ISO settings: 800 and 5000. 4K RAW output is said to be coming with a future firmware update. The Cinema VariCam LT has an integrated, detachable IR cut filter. Building on the esteemed VariCam® legacy of breathtaking image rendition and versatile off-speed effects. The LT has a compact and lightweight magnesium body and offers the same picture quality specifications as the larger VariCam 35 cinema camera. Variable frame rates are available from Yes, Sony has the F65, but aside from the occasional outlier project (Billy Lynn, Cafe Society) and films from Sony studio… The camera can simultaneously record proxy-quality footage to an SD card. The VariCam LT is the only true Cinema Production camera that also functions as a true multi-cam live event camera. Panasonic offers 3 VariCams, two for 4K camera (VariCam 35, LT) that incorporates a newly-developed super 35mm MOS image sensor; and the third, a 2/3" camera (VariCam HS) that features high-speed 1080p image capture of up to 240fps to produce extraordinary high-definition imagery for the most demanding documentary, sports or SFX slow-motion applications. Using this codec, the VariCam LT can record 4K (4096 x 2160) or UHD (3840 x 2160) resolution. The maximum frame rate when recording in 4K (4096 x 2160) or UHD (3840x2160) resolution is 60p (60 fps). The LT has a compact and lightweight magnesium body and offers the same picture quality specifications as the larger VariCam 35 cinema camera. The camera is capable of capturing 14-stops of dynamic range when using V-Log and recording up to 60 fps at 4K, and up to 240 fps at 2K. Variable frame rate recording in the range of 1 fps to 120 fps. Variable Frame Rate Now the Varicam 35 and LT have arrived. The VariCam LT offers a subtle, sophisticated color palette, 14+ stops of dynamic range, and excellent low-light capability in a variable-frame-rate 4K camera at a midrange price. The Panasonic Varicam LT shares a sensor with its larger, cinema-focused cousin the Panasonic Varicam 35. The top and bottom panels have been made flat for easy installation of various plates and accessories. It offers 4K 4096 x 2160) and UHD (3840 x 2160) resolution, and boasts high sensitivity, low noise, wide dynamic range and cinematic depth of field. The VariCam 35 features superb image handling in multiple formats ranging from pristine 4K RAW to 4K, UHD, 2K, HD and ProRes capture formats making it an unparalleled tool for high-end filmmaking, commercials, episodic production and live 4K events. Multiple Codec 4K/UHD/2K/HD Recording While the VariCam LT does not feature parallel sub-recording, it does have an SD slot for high-resolution proxy recording. Grading information such as 3D LUT files and CDL files can be recorded together with the image data, allowing you to provide the same vision that you created on set to the editorial staff. The maximum frame rate when recording in 4K (4096 x 2160) or UHD (3840x2160) resolution is 60p (60fps). Panasonic has dropped the price of the Varicam LT to $9,995 USD. Ltd. In-camera Color Grading The noise level at 5000 ISO is nearly identical to that seen at 800 ISO. Drawing on the traditions and concept of the original VariCam line, They also revolutionize workflow with the addition of dual-codec recording, in-camera color grading, and a modular design. Centennial, CO 80112 Newly-developed 1920 x 1080p 3MOS imagers S35MM 4096 X 2160 Advanced MOS Imager The low-pass filter is tuned for 4K, so it eliminates aliasing and provides optimum resolution. This means VariCam achieves dynamic range at 5000 nearly identical to that at 800. Building on the esteemed VariCam® legacy of breathtaking image rendition and versatile off-speed effects. In saying that, the camera has been … “With its Super 35 sensor, the VariCam LT delivers a beautiful cinematic image. Verification information on the right-hand six digits as well as a smaller proxy file. Normally noise is introduced in the gain process of rating ISO in digital cameras; however, the native 5000 ISO rating sidesteps the issue of adding gain to capture low light images. The camera features selectable gamma curves, allowing you to get the most out of the sensor. Variable frame rates are available from 1 to 120 fps in AVC-Intra 2K422 and from 120 to 240 fps in AVC-Intra 2K-LT. The raw files are decodable today in Resolve 12.5, and either now or … The VariCam LT can record files to an SD memory card while simultaneously recording high-data-rate files to an optional expressP2 card.This feature lets you record an ungraded 4K master with V-Log in the main expressP2 card recorder while simultaneously recording graded HD files on the SD memory card. RED andAlexa often feel like the only choices at the highest end of the digital cinema market. Infrared Cinematography (IR) The VariCam LT is equipped with a detachable IR cut filter. 14 Stops of Latitude It has a dual ISO mode of 800 and 5000, that on paper is supposed to have very low noise. The proxy files can incorporate color grading changes that the high-resolution files do not, making it easy for post to see your intent, without baking the look into your high-quality, camera-original files. It shares the same sensor as the Varicam 35, which features dual native ISO ratings of 800 and 5000. * ProRes is licensed from Apple Inc. Apple ProRes codec from Atomos under license. ... Panasonic S1H: $4,000 6K Full Frame Camera Takes on VENICE, C700 & VariCam?! AVC-Intra Codecs — Class 100 / Class 200 / Class 4:4:4 Red Shark writes about the Varicam 35: “AVC-Intra 4K 4:4:4 12-bit represents the highest quality possible capture from the Varicam 35, while the AVC-Intra 4K-LT (4:2:2) gives the camera the ability to record those higher frame rates, albeit delivering a more compressed image.” Variable Frame Rate — 1 to 120 fps in 4K Variable frame rates are available from 1 to 120 fps in AVC-Intra 2K422 and from 120 to 240 fps in AVC-Intra 2K-LT. This feature allows 4K infrared images to … It comes standard with a positive locking EF mount with full electronic control and has an optional, user-changeable PL mount with both LDS and /i data pins. Dual Native ISO Infrared Shooting (IR) The Cinema VariCam LT has an integrated, detachable IR cut filter. The super 35mm image sensor, which is the same imager as VariCam 35, features wide dynamic range, an expansive color gamut, and high sensitivity for 4K image acquisition. The VariCam-LOOK (V-LOOK) mode is a setting for creating cinematic images without color grading. This enables color tuning on set as well as in the field when using the camera control panel or 3rd party software. AVC-Intra 4K is a 4K-compatible version of the AVC-Intra, intra-frame compression codec that is suitable for cinema production. ( the Panasonic Varicam LT is in the same boat with frame-rates ) What's interesting with the Panasonic Varicam is the ability to shoot at ISO 5000 with results coming very close to matching ISO 800, so DOPs are able to cut the cost of their lighting package in half by shooting at ISO 5000. Grading information such as 3D LUT files and CDL files can be recorded simultaneously with the image data, providing a simple way of protecting your vision from overly aggressive editorial tweaking. Also, the IR filter can be used in daylight as a creative tool for achieving a unique look. The cameras provides superb image handling in multiple formats ranging from pristine 4K RAW(35) to more practical 4K, UHD, 2K, HD and HD ProRes capture. The VariCam 35 system includes AU-V35C1G s35mm 4k camera head, the AU-VREC1G recorder, AU-VCVF1G OLED viewfinder, and the AU-VSHL1G shoulder pad/tripod mount. High frame rates v. VariFrame rates With the VariCam LT set in I4K-LT mode, the Project Rate can be set to 50.00p or 59.94p. which is the same imager as VariCam 35, features wide dynamic range, Frame rate can be adjusted while shooting. When shooting in 2K (2048 x 1080) and HD (1920x1080) resolution, high-speed 240 fps recording can be used to produce an extreme slow-motion effect. The primary recording data is used to create deliverables while the proxy recordings are used for viewing or off-line editing. info@cinemashot.com, VARICAM LT, 35, and HS Camera Control Panel Simulators. Panasonic's Cinema VariCam LT 4K S35 is a single Super 35-sized sensor digital cinema camera with a lightweight magnesium body and interchangeable lens mount. The VariCam LT is equipped with the Super 35mm, single-chip MOS that offers 4K (4096 x 2160) and UHD (3840 x 2160) resolution. The VariCam 35 has a high-precision internal optical filter made by bonding an optical low-pass filter and IR glass and providing it with a UV/IR-cut coating (membrane). an expansive color gamut, and high sensitivity for 4K image acquisition. Infrared Shooting (IR) 14+ Stops of Wide Latitude Even in very dimly lit scenes, the VariCam LT provides low-noise images without any compromise in picture quality. The UV/IR-cut filter prevents ghosts and reddening in dark areas inside the camera unit. 4K-Optimized Internal Optical Filter In comparison with the VariCam 35, the VariCam LT is much smaller at under six pounds, and the EF mount is standard while a swappable PL mount is available as an accessory for $1300 more. The super 35mm image sensor, which is the same imager as VariCam 35, features wide dynamic range, an expansive color gamut, and high sensitivity for 4K image acquisition. The VariCam LT provides down conversion to Full HD via two 3G HDSDI outputs and one VF output (BNC) while shooting in 4K.Your look with in-camera color grading and information overlay can be applied to each output. This functionality will be useful for low light scene shooting. Dual Recorder Multiple Codec 4K/UHD/2K/HD Recording Using the AVC-Intra 4K codec, the VariCam LT can record 4K … Atomos is trademark and copyright of Atomos Global Pty. Stop in to our Colorado store for more Panasonic Pro info. This means the VariCam LT achieves very high sensitivity while maintaining a low noise level at 5000 ISO. The frame rate is variable in-shot while recording. This is ideal for capturing nocturnal wildlife and other scenes with no illumination. into the VariCam LT are a "REVOLUTION" in streamlining workflow. The frame rate can be changed while recording. User can do the IR shooting to record 4K images in dark unlit nightscapes. With its Super 35 sensor, the VariCam LT delivers a beautiful cinematic image. The VariCam LT features an in-camera color grading function (3D LUT/CDL). Same Imager as VariCam 35. The VariCam LT has two native ISO settings: 800 and 5000. The camera can output full-frame raw data in either 10-bit or 12-bit formats. Even in very dimly lit scenes, which are particularly important in movie production, the VariCam LT provides low-noise images without any compromise in picture quality. Using the AVC-Intra 4K codec, the VariCam LT can record 4K … as the larger VariCam 35 cinema camera. Especially this ISO 5000 enable to capture under the natural light keeping the mood making more realistic. The VariCam LT is equipped with V-Gamut, which encompasses the entire BT.2020 color space. Apple ProRes 4:4:4:4 and ProRes HQ Built-in In certain modes it can even perform a speed ramp, changing frame rate while recording. Wildlife and other scenes with no illumination and is limited to the 5000. 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